Like any great work of art, he says, one wants to keep coming back to her performances over and over again. What makes Callas' voice and her performances so distinctive, according to Jorden, is their complexity.
Callas' Carmen was not necessarily very pretty, but it was thrilling." "There is just a ferocity and an intensity here, which you're not really used to from a lot of the recordings of it beforehand, which would concentrate only on nice melodies, prettily sung. "She really is the raw, untamed gypsy girl," Page says. Page points to Callas' performance in Bizet's Carmen, late in her career, as an example of the kind of dramatic depth she brought to a role. "I mean, when you listen to Callas, even after her voice had started to go, it still tends to be an unforgettable musical experience." "The thing about Callas was there was always a keen dramatic intelligence and a real sense of harrowing intensity to her singing, which I think made her extremely special," Page says. University of Southern California professor Tim Page says that Callas brought a sense of daring back to opera: She challenged her audience and never bored it. More important that that, I think, was what she did with the voice how she used the voice as an expressive instrument." So it was an extremely distinctive voice. "Sometimes, it had sort of a hollow sound, sometimes a very dark sound, sometimes a little shrill on top. "One thing about her voice that made it so striking is that it was unlike anyone else's," Jorden says. Her imperfections set her apart, and her ability to find the emotional meaning in a role was unsurpassed.
"And if your structural technique - I'm talking about the way the voice is balanced and structured so that when you throw a lot of energy into it, the way an athlete does, the coordinations that respond are balanced and efficient - isn't true all the way up and down that very wide range, then you're inviting some trouble."īut for Callas fans like James Jorden, the diva more than made up for her vocal flaws with her talent for bringing the music to life. "It's very unusual to combine those two ways of singing and to extend the range over that wide of a compass," Osborne says. But Osborne, who also teaches voice, says Callas lacked the proper technique to sustain her ambitious repertoire. A number of factors, including a rapid loss of weight, may explain why. Callas' voice was already starting to fail her by the time she was in her 40s - quite young for an opera singer. But critic Conrad Osborne says it also contained the seeds of her vocal decline. So people were looking and saying she's the most astonishing singer anyone's ever heard of, and yet no one had ever heard of her."Ĭallas' ability to sing such a wide range of roles was one of the things that led to her meteoric rise. It also showed an ability to sing coloratura, which is a fast, fluid way of singing music that is ordinarily not easy for the more dramatic singers. "This was almost the polar opposite ," Jorden says. James Jorden, editor of the online opera site Parterre Box, says no one thought a dramatic soprano like Callas could sing the role of Elvira. Then, on very short notice, she was asked to step into the part of Elvira in Bellini's I Puritani. She was performing Brunnhilde in Wagner's Die Walkure, a heavy, challenging role that played to her strengths. Just a few years earlier in Venice, Callas had stunned the opera world with the extraordinary range of her voice. But there was a certain tension in the air as to the sheer vocal security." "You felt that any miscalculation, just the tiniest degree of miscalculation, and the thread might break disaster might come. What he remembers vividly was the opera's most challenging aria, "Casta Diva," and the feeling that Callas might not hit the highest notes. There were high expectations about Callas' appearance, and opera critic John Steane was in the audience. The year was 1952, and Callas was performing what would become one of her legendary roles - Bellini's Norma - at London's Covent Garden. Experts and fans alike continue to question what exactly happened to a voice that was both exhilarating and controversial. But, exciting as Callas was as a performer, her voice began to decline while she was still relatively young. And Callas remains one of the towering figures of opera. Maria Callas defined what it meant to be a diva.
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